šŸš— dick.steinkamp.us

January 27, 2009

GNRS

Iā€™ve been away from a computer for 6 days. The good news is, the ā€œshakesā€ stopped after about the third dayĀ šŸ˜ƒ. My only regret is that I didnā€™t get to meet everyone from the SDC Forum that attended the show and didnā€™t get to spend enough time with those I was fortunate enough to bump into.

Iā€™d have to say that the Ute was well received. It was quite an honor to be staged alongside such milestone cars as Ala Kart, the Sam Barris Mercury, the Glass Slipper, Blackieā€™s 1955 AMBR winning roadster, Rothā€™s Outlaw, Tommy Ivoā€™s nailhead powered roadster, and a host of other cars I only dreamed of SEEING in personā€¦let alone PARKED NEXT TO

Thursday morning, I picked Jon up at the airport and got him and Brian busy detailing the car while I did ā€œimportantā€ stuff

By noon, we were doneā€¦

Hereā€™s a few moreā€¦

I toured the NHRA museum on Saturday. What a great collection of hot rod historyĀ šŸ˜Ž. Hereā€™s the Gale Banks Studeā€¦

The Cad powered, dark blue Model A coupe that was featured in Rod and Custom several months back was there. The Cad motor in this car was the inspiration for how we ended up doing the motor in the Uteā€¦

This one has nothing to do with Studebakers, but I took it for Keoni. I know he wanted to be thereā€¦

One of the high points was getting to spend some time with Lee Talbotā€¦the original builder of the car in 1958. Lee is just fun to be aroundĀ šŸ˜ƒ. Heā€™s got more energy, more car stories, more smiles, than Iā€™ll EVER have. He was there with car buddes and his son, daughter, and the grandson that has Leeā€™s hot rod ā€˜29 Ford that Lee built in the 40ā€™s.

On Sunday, Hot Rod Deluxe wanted to interview Lee and take some pictures of him with the car. Just about the time we were finishing that process, Hot Rod Television showed up and did a short feature on the car and the storyā€¦

Thatā€™s Lee and me on the right and Jerry Pitt, editor of Hot Rod Deluxe doing the talking.

Hereā€™s another shotā€¦

Sunday night is generally a gong show as 600 cars try to get into their trailers at the same timeĀ šŸ˜¬. Jerry Pitt arranged for a special staging area for our trailer behind the NHRA museum which made the process easier for us. Monday AM, I met Jerry and the photographer at his hotel and followed them to Bobby Waldenā€™s Speed Shop where the pictures would be taken. BTW, the photographer was Wes Allison who is one of todayā€™s most famous automobile photographers. There probably is not an issue of any major car magazine that doesnā€™t have some of Wesā€™ pictures in it. Wes also works for the major car companies. He is on his way to Detroit today to do a shoot of a concept car for GM. Great guyĀ šŸ‘. Hereā€™s few pictures from the shootā€¦

Wes explained to me that the background is interesting, but ā€œbusyā€. For the magazine, he will change the background to black and white so the car stands out in color.

Coincidentally, Robert Iannello fromĀ www.benchrace.com was at Bobbyā€™s shop when we pulled in. He had been trying to find me at the GNRS to get permission to also shoot the car. Generally, car magazines want an exclusive. For example, Rod and Custom also wanted to shoot the Ute (thanks to Kevin from the SDC forumĀ šŸ‘), but I had to turn them down since HRD has been so good to me from the start. Rod and Custom and HRD BOTH ran Orbitron this month and they were not very happy about itĀ ā˜¹ļø. Anyway, Jerry didnā€™t feel that benchrace was direct competition and felt it was OK.

After the 3 hour shoot at Bobbyā€™s place, Robert and I took the car into the industrial part of Pomona and took some more pictures. They will look something like this on benchraceā€¦

I got out of Pomona about 3 PMā€¦over the snow covered grapevine just out of LAĀ šŸ˜¬, hooked up with Mr. Biggs for a few minutes (too few), and back to San Jose about midnight.

A great car experience for sure! Thanks to all on the SDC Forum that helped make it so. I took over 300 pictures, so Iā€™m sure to bore the group with more when I get home and have some time.